1. Christmas Stays the Same
2. Here Comes Santa Claus/Santa Claus Is Comin' to Town
3. Have Yourself a Merry Little Christmas
4. Little Drummer Boy
5. So You Hear What I Hear?
6. Christmas Through a Child's Eyes
7. Silent Night
8. O Come, O Come, Emmanuel/What Child Is This?
9. Christmas Song
10. Christmas Medley: I'll Be Home for Christmas/Let It Snow/Silver and Gol
11. Ave Maria
12. O Holy Night
13. Bells of St. Paul
Linda Eder is no exception. I had heard the name, and kind of associated her with contemporary Broadway glitz. (Not necessarily a bad thing, mind you). Well, why not give the holiday album a try? A glance at the song list suggested that this was going to be make or break. Most of the chestnuts on this album had been pretty well roasted by other artists decades before. But then that's what's Christmas albums are all about, taking something old and making it kinda new.
And she does that on a number of tracks. Gospel choruses on "O Holy Night" and "Do You Hear What I Hear." Jazzed up renditions (a la Streisand) of what was always lighter fare anyway, like "Here Comes Santa Claus/Santa Claus Is Comin' To Town." more meditative ballads. Lots of variety. And it's all done on a grandiose scale (bigger being better for her and collaborator hubby Frank Wildhorn, I guess). Even the "Ave Maria" sounds bigger in a quiet sort of way, almost as though she's auditioning for an eventual CLASSICAL LINDA album.
But that's not to say it doesn't work. I like show biz glitz as much as the next consumer. And I really find that performers eventually find their own metier. By sheerest coincidence, I happened to play this CD back to back with a rather austerely produced holiday album done by a regional singer (here in Upstate NY) named Bar Scott. The difference was striking, especially since they did many of the same songs. Bar Scott's simple, stark arrangements provided an effective counterpoint for Linda Eder's do-it-big approach.
But before you jump to the conclusion that I'm just going to launch into another "sparer is better" review, let me reiterate what I said above. Performers almost intuitively find a style that works for them. Bar Scott's intimate vocals require a starker setting. Linda Eder's big voice almost demands socko-boffo production numbers. It all works out in the end.
And besides, she does allow herself her meditative moments. I don't know whether her own collaboration with her husband, "Christmas Through the Eyes of a Child" or Wildhorn's "Christmas Stays the Same" or "Bells of St. Paul" will eventually become holiday standards themselves. But they do have that potential--particularly the title track which is sensitively and intelligently written and arranged. Put it this way, if this album were mounted as a stage production, these songs would provide the quiet moments in what would otherwise be a true extravaganza (doubtless replete with laser show, choir, dancers and maybe even a few acrobats).
And, hey, even if you really go for big production numbers, you really NEED those quiet moments.