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John Coltrane

The Gentle Side of John Coltrane

The Gentle Side of John Coltrane Tracks
1. Soul Eyes
2. What's New?
3. Welcome
4. Nancy (With the Laughing Face)
5. My Little Brown Book
6. Wise One
7. Lush Life
8. Alabama
9. My One and Only Love
10. After the Rain
11. In a Sentimental Mood
12. Dear Lord
13. I Want to Talk About You
John Coltrane - The Gentle Side of John Coltrane
The Gentle Side of John Coltrane Review
In the early '60s, John Coltrane was pressing the expressive edge of jazz, playing solos of daunting length, astonishing speed, and blistering intensity. But while his more exploratory work fueled controversy, the saxophonist had also matured into one of the finest practitioners of the jazz ballad, as great a lyric player as Ben Webster or Miles Davis and possessing a beautiful sound, a kind of unknown precious metal that remains distinctive after decades of imitation. He often included ballads in LPs of more daunting material, and he also devoted three LPs to his gentler side, Ballads and collaborations with singer Johnny Hartman and Duke Ellington. This CD compiles both Coltrane's versions of standards and a selection of his own gentler compositions, creating a series of slower-tempo masterpieces that range from the serene to the pensive. As well as highlights from those three LPs, there is also the superb rendition of Mal Waldron's "Soul Eyes," a jazz standard, and Coltrane's own "Wise One," "After the Rain," and the somber "Alabama," melodies of almost unearthly beauty. The version of Billy Eckstine's "I Want to Talk About You," taken from a live recording at Birdland, possesses an unaccompanied tenor cadenza that stands as one of the most remarkable technical feats in jazz history. The version of "In a Sentimental Mood," with Ellington at the piano, is simply as beautiful as any recording ever made. So good is the selection that dedicated Coltrane fans who own the material in other forms may want to acquire it.--Stuart Broomer


Users's Reviews
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Not the same as the LP
4
This was one of my favorite John Coltrane records, as a double album released in 1974. I was pleased to see it here but disappointed to see a couple of numbers trimmed, I assume to fit on one CD. I could have done without "Wise One", but the version of "The Spiritual" that ended the original record is a real loss here. And if "Alabama" was cut down from the original 5:05 recording, as stated by one reviewer, that really is an awful thing to do to one of the better songs here.

I may break down and buy a turntable.
Posted by Anonymous, on 2005-10-31
Erotic brilliance and perfection
5
This compilation album provides a cool, sensuous, evocative, and purely erotic soundtrack to spend a gentle romantic evening.

Combining with the purely golden vocalist Johnny Hartman on several cuts (including my favorite version of the languid "My One and Only Love"), Coltrane's sax drips with smooth sensual delight invoking visions of candlelight, midnight cityscapes, or in my rural case rolling hills enveloping in purple-orange twilight. This is a great classic album that invites the listener to kick off the dust of the day, leave a frantic busy week behind, close the eyes, wrap their arms around that special sensual person and waltz fingertips across the skin.

A perfect mellowing agent for a frantic world. Intimate. Pure. Perfect.

A must own.

Posted by Anonymous, on 2003-07-28
Simple beauty.
5
This album offers the perfect introduction to Coltrane. Coltrane was the greatest exponent of the jazz ballad in history. Unlike his uptempo music which, although breathtaking at all times, does tend to become too intense and complex for some listeners (not me) this music is simple but still retains Coltrane's unique musical personality. Coltrane was never one to over do a ballad. He preferred to state it simply and honestly and maybe add the odd augmentation for style. This music is taken from a period spanning about five or six years. During those years Coltrane underwent dramatic changes in his style, the direction of which can be generally be classified as an ascent towards greater complexity and and intensity. It is interesting therefore to see how his ballad playing never changed and always stayed simple and to the point. Coltrane had the most beautiful saxophone sound in all of jazz. It was powerful and had a wail that was only comparable to Parker. These recordings showcase Coltrane, free of the technical and dynamical intensity that characterise most of his music, especially his later works, and instead baring his soul using his greatest gift - his sound.
Posted by Anonymous, on 2004-02-23