MUSIC CITY : The first collaborative Music Database

Contact Us

 
Search

John Coltrane

The Classic Quartet: Complete Impulse! Studio Recordings

The Classic Quartet: Complete Impulse! Studio Recordings Tracks
1. Greensleeves
2. It's Easy to Remember
3. Inch Worm
4. Big Nick
5. Out of This World
6. Soul Eyes
7. Miles' Mode
8. Tunji
9. Nancy (With the Laughing Face)
10. What's New?
11. Up 'Gainst the Wall
12. Too Young to Go Steady
13. All or Nothing at All
14. I Wish I Knew
15. You Don't Know What Love Is
16. Say It (Over and Over Again)
17. Vilia
18. After the Rain
19. Dear Old Stockholm
20. Your Lady
21. Alabama [Takes 4 & 5]
22. Lonnie's Lament
23. Drum Thing
24. Wise One
25. Crescent
26. Bessie's Blues
27. Love Supreme, Pt. 1: Acknowledgement
28. Love Supreme, Pt. 2: Resolution
29. Love Supreme, Pt. 3: Pursuance
30. Love Supreme, Pt. 4: Psalm
31. Nature Boy [First Version]
32. Nature Boy
33. Feelin' Good
34. Chim Chim Cheree
35. Brazilia
36. Song of Praise
37. After the Crescent
38. Dear Lord
39. One Down, One Up
40. Welcome
41. Last Blues
42. Transition
43. Suite: Pt. 1, Prayer and Meditation: Day/Pt. 2, Peace and After/Pt. 3,
44. Living Space
45. Dusk Dawn
46. Vigil
47. Dearly Beloved
48. Attaining
49. Sun Ship
50. Ascent
51. Amen
52. Love
53. Compassion
54. Joy
55. Consequences
56. Serenity
57. Joy [Second Version]
58. Crescent [First Version]
59. Bessie's Blues [First Version, Incomplete]
60. Song of Praise [First Version]
61. Love Supreme, Pt. 2: Resolution [Alternate Take]
62. Feelin' Good [Alternate Take]
63. Dear Lord [Breakdowns & Alternate Take]
64. Living Space [Breakdown & Alternate Take]
John Coltrane - The Classic Quartet: Complete Impulse! Studio Recordings
The Classic Quartet: Complete Impulse! Studio Recordings Review
There have been many Coltrane compilations and box sets over the years since the saxophonist's passing in 1967, but this eight-CD complete collection of his quartet's studio recordings between 1961 and 1965 is the must-have. Jazz may be a music blessed with dazzling soloists, but few groups in its history seem up to perfectly matching the intentions of their leaders: Louis Armstrong's Hot Five and Hot Seven, Bill Evans's trio of 1960-61, and Miles Davis's mid-60's quintet are among the few that immediately come to mind. Coltrane's quartet of pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison was another, a group so perfectly matched to his playing that it seems difficult to imagine him without them. Tyner, for example, immerses the group in restless chords and showers of single notes; Jones plays with stentorian power, yet tempers his playing with well-etched detail and a strong sense of melody; and Garrison anchors the quartet with drones and deeply rooted vamps. So powerful was the quartet's conception that even when ringers like Art Davis and Roy Haynes turn up on a couple of tracks, they, too, carry out Coltrane's aims, their individual differences worked into the scheme. On the 66 tracks included in this set (all now remastered) it's possible to follow the evolution of this extraordinary band from Coltrane's very ascetic approach on relatively straightforward albums such as Ballads and The John Coltrane Quartet Plays through devotional efforts like A Love Supreme and First Meditations on to Living Space and Sun Ship, those last moments before his leap of faith into the unknown in his last few years.

This quartet's music is marked with a seriousness of purpose that burst the boundaries of jazz, and with a display of authority rare for any music. Yet despite its exploratory passion, it was a music grounded in the blues and the distant memory of swing. Coltrane, always the seeker, had found his kindred spirits and poured himself and all he knew into these performances; and even those who never shared an enthusiasm for his music at least always recognized this much.

The final disc of the set contains seven unreleased tracks, including significantly different versions of "Bessie's Blues" and "Resolution" from A Love Supreme, and others discovered by Ravi Coltrane on his father's original reference records. (For those interested in the culture of the studio, it is fascinating to see that despite its apparent simplicity and the inevitability of its melody, a gem like "Dear Lord" began with the plague of several false starts.) Music spread across 18 albums has been collated and reassembled chronologically here, much of it not always easy to find: examples are the scattered gems "Vilia," "Dear Old Stockholm," and "Big Nick," as well as a version of "Greensleeves," originally issued as an Impulse 45 single. An essential set for understanding jazz at its highest level of achievement. --John Szwed



Users's Reviews
Feel free to add your comments about The Classic Quartet: Complete Impulse! Studio Recordings
This one is a no-brainer
5
The question is really, is this worth the money? Yes, it is. In fact, if you are just delving into coltrane for the first time. Don't buy an album, with Trane more than anyone else, there is no definitive album. So save up a little money, and start here. You may SAVE alot of money by starting with this.
Posted by Anonymous, on 2005-11-15
For completists and novices alike
4
By the end of Disc 7, the listener is fully immersed in Coltrane's adaptation and revolution of free jazz. The second (or alternate) version of "Joy" from First Meditations comes at you without any warning, and once you're hit, you are momentarily transfixed by the elements which made the classic quartet truly Classic: awesome timing, unrelenting drive, power, control, and, of course, Coltrane's multiphonics, overblowing and rapid-fire solos. This contrasts with Coltrane's playing at the start of Disc 1 where the listener is greeted by the warm melody and smooth, harmonic interpretation of "Greensleeves."

These recordings are essential (if not this box set) and belong in every jazz and music lover's collection. I enjoy this collection because it collects every track recorded during these formative years, both for Coltrane and for the Impulse! Label, and organizes them in chronological recorded order. As you listen to this set, it is as if you are right there in the studio with Coltrane, session after session, listening to the artist create his masterpieces. However, on a similar note, by presenting all of the tracks in chronological order, the initial flow of the original albums is lost. I find that I enjoy the individual albums more than having all of Coltrane's work lumped together, chronological or not. There is a much more personal and emotionally responsive flavor in listening to each album separate from another.

This set is for completists and novices alike. Aside from Disc 8, appropriately titled "Works in Progress" which presents the listener with John Coltrane at work on polishing his art, there is nothing new here. This set is invaluable for encapsulating the string of albums released in 1965, beginning with The John Coltrane Quartet Plays and ending with the final quartet piece, First Meditations, which would be expanded in many ways, both sonically and artistically, within the coming year (but not featured here).

In fact, everything released here can be found on the previously released albums: Coltrane, Ballads, Live At Birland, A Love Supreme, Crescent, The John Coltrane Quartet Plays, Dear Old Stockholm, Living Space, Transition, Sun Ship, and First Meditations (plus some material from Infinity, which is extremely difficult to find). In fact, Impulse! has recently begun releasing the individual albums (such as Coltrane and Ballads) in Deluxe Edition 2-CD collections with supplementary material from the original sessions. And the Deluxe Edition of A Love Supreme, with the extended live version, is not to be missed. Suffice it to say, then, this set truly is not "The Complete Recordings."

It goes without much implication that this truly is John Coltrane, one of the twentieth century's musical geniuses, and without Coltrane, much of popular music would not be quite the same. Even during his time, during the 1960s, several future giants, such as Jimi Hendrix, Sly Stone, and Jerry Garcia, would boast that it was John Coltrane who inspired them to play music in the manner they did. And Coltrane's music is not to be missed. If you don't invest into this set, which is reasonably priced for the amount of music you receive, at least check out the individual albums which make up this collection. They are absolutely invaluable.
Posted by Anonymous, on 2005-09-17
how could it not be brilliant?
5
complete studio recordings for impulse by what is arguably the best jazz group of all time. well, i've owned it for about 18 months and have not even begun to exhaust it. the only problem (isn't this always the problem with box sets?) is the packaging, which is big and cumbersome and it's hard to figure out what's what because they don't put the track listings on the cds themselves and the box is too big to carry around with you and it's in a really unusual order, which is the chronological order they were recorded in, not the order in which they were released, so different albums get broken up, which i think is the best way to do it, but is still confusing. regardless, no doubt a top rating.
Posted by Anonymous, on 2003-05-19