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John Coltrane

Coltrane Jazz

Coltrane Jazz Tracks
1. Little Old Lady
2. Village Blues
3. My Shining Hour
4. Fifth House
5. Harmonique
6. Like Sonny
7. I'll Wait and Pray
8. Some Other Blues
9. Like Sonny [Alternate Version]
10. I'll Wait and Pray [Alternate Take]
11. Like Sonny [Alternate Take 5]
12. Village Blues [Alternate Take]
John Coltrane - Coltrane Jazz
Coltrane Jazz Review
John Coltrane's work on Atlantic Records marked both his ascent as a leader and the refinement of his trademarked "sheets of sound" improvisational style. This 1961 release features Trane with a variety of celebrated bandmates: pianists Sonny Rollins, Wynton Kelly, and McCoy Tyner, bassists Steve Davis and Paul Chambers, and drummers Lex Humphries, Jimmy Cobb, and Elvin Jones. Stylistically, Trane spans some diverse musical territory. There's his down-home and hypnotic takes on the blues, "Village Blues" and the Thelonius Monk-like "Harmonique." Coltrane and his crew poetically and rhythmically remake the standard "My Shining Hour," and "Like Sonny," a shout-out to Sonny Rollins, is a dancing Afro-Latin excursion. This date offers a preview of the important music that Coltrane, Tyner, and Jones would unleash in a few years before the saxophonist's death in 1967. --Eugene Holley Jr.


Users's Reviews
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Listen to it and Listen to it and Listen to it...
5
Many of the songs on this extraordinary album were recorded during the "Giant Steps" sessions, a landmark CD that often unfairly overshadows this record. It's innocuous title, "Coltrane Jazz," causes many to overlook it, but don't fall into the same trap. I've been listening constantly to this CD for the past three or four months and I cannot take it off my playlist. It is phenomenally beautiful music. It lasts and lasts and lasts!
Posted by Anonymous, on 2000-07-06
Perfect blend of sound, composition and improvisation
5
At this stage in his career, John Coltrane seemed to have a direct link between the emotion he clearly felt and the music through which he was so well able to express it. A glorious combination of fabulous technique and fine compositions developed of course through improvisation of a high order. The tunes have a very strong character and a distinct sound, quite apart from serving as the most fertile of ground for the improvisation through which he was able to develop the particular emotional impetus of each one. The balance between the three elements of composition, sound and improvisation is a clear quality in this extraordinary music, yet Coltrane still swings, avoiding the overt practiced professorialism I detect in some of his work, for example with Thelonius Monk a couple of years before. Whilst perhaps not coming over as a musical monument like that feat of terpsichorean architecture Giant Steps, which seems to me to exemplify for the first time the full logical and inevitable product of the artist's use of his ideas and technique, opening up a channel for the torrent of expression he needed so desperately to release, this record has great subtlety, variety and wit. I like it very much, and you'd go a long way to find a better, before or since.
Posted by Anonymous, on 2000-09-09
Trane in a Traditional Setting - Pretty Good
4
He's playing in a traditional quartet setting, with Miles' rhythm section behind him, and it sounds nice. It's a good record, if not the most adventurous (to be honest the best track is the one that looks forward, with Jones on drums and Tyner on piano - "Village Blues").
Posted by Anonymous, on 2001-05-30