
Of course, I'm a big Ian & Sylvia fan, and the set brings back many fond youthful memories of listening to the duo on my parents' living room stereo and of seeing them perform live at the legendary Cellar Door in Washington, DC. With the availability of this set, and (either domestically or as imports) both MGM albums, the first Great Speckled Bird, and the first Columbia album, perhaps someone can be persuaded to reissue 1972's You Were on My Mind, so we can have a complete record of Ian & Sylvia searing and soaring harmonies, as well as their quirky innovations in both folk and country-flavored rock.
The main attraction is the music, a diamond that still sparkles these nearly 40 years later. Some of my favorites are "C.C. Rider" where Bill Lee's bass runs gleefully amok over the arrangement. "Un Canadien Errant" has such a sad, lovely melody. Of course, "You Were On My Mind" and "Some Day Soon" are classic tunes. "When I Was A Cowboy" is one great folk boogie, bursting with energy. "Lonely Girls" is a strong song, nice to revisit. I loved the Bacharach/David "24 Hours from Tulsa" even though I often recall Gene Pitney as I hear it. (The book lists the author as "David" Bacharach!?!) Ian & Sylvia's recording of fellow Canadian Joni Mitchell's "Circle Game" helped launch that legendary career. Sylvia's "Hold Tight" has a melody that pops like a jack-in-the-box while Ian sounds Dylanesque on vocals. "Cutty Wren" has been one of my favorite folk tunes since college, and one of the most violent since "3 Blind Mice." "How will you cut her up? said Millner to Mollner..." I love Ian & Sylvia's rendition of Dylan's "This Wheel's On Fire"; it has energy and strength that propel the melody. Sylvia's dramatic "Southern Comfort" is wonderful, "Didn't I lie, lie, lie, didn't I?" The amazing thing about this music is that it is aging so well; it still sounds vital and relevant these decades later. Vanguard's done a wonderful job with this box set. Enjoy!
They sing folk songs they way they were meant to be sung: purely, but without affecting a "traditional" (whatever the hell that was, or is) stance and without pandering to then-contemporary musical tastes.
From old-time music to gospel, French-Canadian chanson, work songs, cowboy laments and more, their readings of these tunes have stood the test of time.