As well as this cd as stood the test of time, try to imagine: A very young, unknown Chicago guitarist, releasing a non-jazz, (and really not quite any other style music known up to that point),all-instrumental album ,in the late 60's, with an entirely new guitar sound. Astounding..one the majore breakhoughs in modern guitar.

Why is there only 1 other review of this album--it's only one of the finest CDs ever made by a musician!

The editorial reviewer said it all. If you like guitar wizards, jazz rock, how to be Flash without being leadfooted (oh if the drummers of today could learn from the restraint of earlier masters...) and have an appreciation for historic recordings which opened new possibilities for the evolution of popular music, then for you this album really is indispensible. And the title cut, which is mostly vocal with a very restrained guitar part, is a glorious arrangement with soaring wordless voices singing with heartbreaking purity. It is one of those cuts which can bring conversations to a halt as people stop everything to listen. If you were around in the glory days of underground FM radio, you probably heard it at 2AM some nights, gently framing the end of the day with majestic serenity.