
Now, in most other cases, such a release would smell "cash-in" from miles, but "Hybrid" is a very ambitious and before anything else a very honest effort.
Classic songs of a bygone era that have left their mark on contemporary music are redone and their quality increases multifold. It's not only the quality of production that is notched-up here. The songs themselves are delivered with a new aura attached them. Both of the CDs sound super dark, very doomy and incredibly atmospheric. And in how many cases can an artist release a double album that you can hear through and through without feeling this a drag?
Numan's vocals are also in superb form. Indeed the older this guy gets the better he becomes somehow, even though it would seem that with his style of music that would be somewhat difficult.
What also needs to be noted is that "Hybrid" is by no means a release "for the Numan fans". By far not. This will appeal to anyone out there into NIN, Ministry, or any of the relevent industrial acts. But it goes further thatn that in my opinion.
Numan has not only influenced a big part of the modern music scene with his 80s albums but he continues to do so by outdoing them in the process. This is absolutely stunning actually.
The recipe, when it comes to industrial music, is somewhat "standard" yes, but at the end of the day what counts is the aura, as i said above. Heavy industrial guitars, distorted and trippy sound effects and loops, whispering or echoing vocals, samples mostly inspired by horror soundtracks or multisampled songs for the extra effect. But in the end it's still the aura that makes the big difference. And that is exactly where Numan leaves you with a burning mark in your brain. In this respect, for anyone into dark sonic scapes this is a massively essential album.
And judging from Numan's return into recording fresh stuff (with "Pure") it seems we will be seeing and hearing a lot more from this guy in the upcoming time. Thank all the cosmic forces for that.
Sure, the antitheist lyrics are puerile, but there's an intensity here that his music has been lacking for a long time. And most welcome of all is the element that drew me to his music in the first place--a sense of menace underlying the music.
In terms of production, the songs are well-executed. Also, this album for the first time captures Gary's vocal abilities--he's actually comprehensible on these songs.
This is a big step in the right direction for ol' Gary. Now I'm ready to hear more new stuff.