
Disk One probably is my favorite, because it showcases Elvis' extraordinary voice. I am so awed by his range and how he makes each selection his very own with such deep sincerity and intimacy. Also, the back-up musicians are just right - not too intrusive upon Elvis' voice. HIS HAND IN MINE, IN MY FATHER'S HOUSE, KNOWN ONLY TO HIM, HE KNOWS JUST WHAT I NEED, IF WE NEVER MEET AGAIN, WE CALL ON HIM, YOU'LL NEVER WALK ALONE, and WHO AM I are just a very few of the beautiful songs which leave me so blessed. He was known for his very special renditions of CRYING IN THE CHAPEL and HOW GREAT THOU ART, which was a favorite during stage performances and for which he was awarded a Grammy in 1974. LIFE, which I had never heard before, is unforgettable.
Disk Two has many special selections like ONLY BELIEVE, HE TOUCHED ME, HE IS MY EVERYTHING, and an extra-special live version (1974) of HELP ME. I feel the back-up musicians became too predominate on some tracts which detracted from Elvis himself. His is the voice I prefer to hear unhindered. On the other hand there are some with Elvis improvising alone. There is also some quartet improvising - memorable is TURN YOUR EYES UPON JESUS/NEARER MY GOD TO THEE. The disk is a valuable part of the set and surely special.
The beginning of Disk Three requires and is well-worth undivided attention. Elvis joined in with Carl Perkins and Jerry Lee Lewis in the Sun Studios for some impromptu gospel improvising. This was dubbed the "Million Dollar Quartet" session and took place December 4, 1956 in Nashville. Johnny Cash was also present. Obviously Elvis was already well-versed and accomplished in gospel music. It is wonderful to have these lighter moments preserved, when Elvis was still the charming boy-next-door and in the early stages of his phenomenal rise to stardom. There are more recordings of the beautiful inspirational music Elvis gave us throughout his career. Included also is the gospel medley from his '68 COMEBACK SPECIAL, a memorable live version of HOW GREAT THOU ART from June 1977 (he passed away in August 1977), which proves Elvis could still belt out a song in his last days, and finally PEACE IN THE VALLEY from his Ed Sullivan appearance in January 1957, which has special significance to us older fans.
The booklet enclosed with the album gives background and a nice overview of why Elvis loved to sing gospel for personal inspiration and enjoyment as well as make recordings. I just wish Elvis had drawn on the power of God to help him overcome his personal weaknesses. He might still be singing live, but I am thankful for what he left us. If you are a gospel music fan and even if not, Elvis can touch your heart as few others can. This collection is priceless!!