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Chet Baker

The Best of Chet Baker Sings

The Best of Chet Baker Sings Tracks
1. Thrill Is Gone
2. But Not for Me
3. Time After Time
4. I Get Along Without You Very Well
5. There Will Never Be Another You
6. Look for the Silver Lining
7. My Funny Valentine
8. I Fall in Love Too Easily
9. Daybreak
10. Just Friends
11. I Remember You
12. Let's Get Lost
13. Long Ago (And Far Away)
14. You Don't Know What Love Is
15. That Old Feeling
16. It's Always You
17. I've Never Been in Love Before
18. My Buddy
19. Like Someone in Love
20. My Ideal
Chet Baker - The Best of Chet Baker Sings
The Best of Chet Baker Sings Review
Once Chet Baker arrived in California from his native Oklahoma, his career exploded. After landing gigs with Charlie Parker and Gerry Mulligan, Baker soon found himself a solo star and bandleader. Not long after that, he also found himself whispering love songs into a microphone. Baker was not gifted with the most robust voice of the day. Indeed, listening to pure singers like Nat "King" Cole or Johnny Hartman can expose Baker's weaknesses, but what Baker did, he did well. By choosing wistful, so-young, so-in-love tunes, Baker was able to pour his heart into the material, sketching soft, romantic moods and painting himself as the broken-hearted innocent. The effect can be devastating, as Baker's voice clings to the melody, threatening to disintegrate at any moment. Many of his best tunes--"I Fall in Love Too Easily," "But Not for Me," "Let's Get Lost"--are collected here, and as such, there is no better place to begin an appreciation of Baker's unique singing. --S. Duda


Users's Reviews
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Mid-1950's Avant-Garde Jazz-Pop Vocals
3
You'll either get it, or you won't. You either like it, or you don't. Soft-voiced musical genius, or tempermental poseur. Only the individual listener can decide which they prefer to hear.

Perhaps this is Chet Baker's vocal legacy. He is described in the liner notes as either alternating his vocals in emulating "a hip Alfalfa...singing grown-up songs...like a child feigning emotional maturity", or coming across as "a rather tainted Lothario in a fruitless search for lost innocence". Additionally, it also seems, at times, as if "there's a whole lot of nothing going on".

These songs are culled from five recording dates in Los Angeles, which took place between October 1953 and July 1956. Chet sings, and backs up with his trumpet. Russ Freeman provides the requisite piano emphasis throughout. Carson Smith and Jimmy Bond alternate half the disc's songs on background bass, while Bob Neel, Peter Littman, and Lawrence Marable split most of their duties whisking the drums. Joe Mondragon, bass, and Shelly Manne, drums, help kick off the CD on 1953's 'The Thrill Is Gone'.

Chet's almost androgynous cover-boy looks, and beguilingly winsome sound, contribute to the atmospheric ambivalence.
Posted by Anonymous, on 2005-12-31
Not in stereo
2
I enjoyed this disk, but I wanted others to know that the recording is not in stereo, which makes it less than enjoyable for me.
Posted by Anonymous, on 2006-01-06
Would Hate To Hear The Worst
1
Chet Baker certainly does have his apologists. Phrases such as, "He can't sing, but ..." are repeated like mantras. Fact is, he just plain can't sing. He has a sort of hipper-than-thou whisper that broadcasts, "I'm such a sensitive artiste." For some reason, people bought it. Blame it on the good looks, the smack habit, the James Dean act, and the times, which glorified everything unstudied and done badly - (read Kerouac). He was a nice, if unremarkable, horn man. But that singing, wow. You'll get more passion from your dishwasher, and more technique too. Baker's real brilliance was in passing off attitude for art, something that survives to this day. He was at the avante garde of being a poseur.
Posted by Anonymous, on 2005-12-07