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Chet Baker

My Funny Valentine [Philology]

My Funny Valentine [Philology] Tracks
1. My Funny Valentine
2. Someone To Watch Over Me
3. Moonlight Becomes You
4. This Is Always
5. I'm Glad There Is You
6. Time After Time
7. Sweet Lorraine
8. It's Always You
9. Let's Get Lost
10. Moon Love
11. Like Someone In Love
12. I've Never Been In Love Before
13. Isn't It Romantic?
14. I Fall In Love Too Easily
Chet Baker - My Funny Valentine [Philology]
My Funny Valentine [Philology] Review
Chet Baker was at the height of his popularity, the epitome of cool jazz, when these tracks were recorded for Pacific Jazz between 1952 and 1954. While Baker could hold his own in bop settings, the emphasis in this collection is squarely on his lyrical approach to ballads, whether singing or playing trumpet, with just a rhythm section or an added string orchestra. His vocals were absolutely distinctive, sung in a high-pitched, even fragile voice seemingly drained of emotion and yet possessing an inherent charm, a detachment that might be both the antithesis of style and its definition, whether it's heard as sensitivity or indifference. The singing is a double of his trumpet playing here, spare and barely present but achieving much through nuance and suggestion. Pianist Russ Freeman is an almost constant partner, supplying deft chords and harmonic daring, amplifying Baker's ideas. Their empathy is especially evident in the beautiful instrumental "Moon Love," but it's just as significant on signature Baker songs such as "My Funny Valentine," "Let's Get Lost," and "Like Someone in Love." --Stuart Broomer


Users's Reviews
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Chet Sings
3
I was somewhat surprised to realize it was Chet singing. His voice isn't great but it has a lot of feeling; kinda in the French style. There is some classic Chet trumpet playing as well. I enjoy it in quite times.
Posted by Anonymous, on 2005-08-15
Silky eroticism at its finest
5
I sit, writing these words while listening to Chet Baker's silky, erotic voice and trumpet guide my weekend into a blissfully quiet close. Granted, Baker's voice is not for all and I admit it took some time for its elegant,urbane yet primal narcotic power to float over me. Now I'm hooked. Baker's ability as an arranger is peerless as his musicianship. Images of floating drapes and soft skin fill the air as this, possibly his most accesible work plays out. For those unfamiliar with Baker I recommend beginning with this work, as I did. This makes a great valentine gift.
Posted by Anonymous, on 2003-02-10
Calling all you hopeless romantics
5
Chet Baker's vocal techniques often left those listening wondering if they were hearing a man or a woman singing, but they are beautiful in their own little, androgynous way. To counter that, I think the album cover photo begs to differ. His voice is soft and wispy and maybe a little thin (he doesn't sound like a "trained" singer at times) but beautiful and very soulful.

I would recommend this for someone new to Chet. It doesn't have a lot of up-tempo or technically difficult songs that he could really burn on, but a lot of quite ballads. Very mournful and beautiful and easy to listen to without being too sappy. The recording quality is excellent considering that all these tracks are from the 50's (when he was playing at his best), but on some of the tracks there is a slight bit of "white noise" you can hear. It's a cool west coast sound that is seemingly timeless. The album has a good mix of both his trumpet playing and his singing. Baker's horn playing reigns supreme here, being highly melodic and very mellow.

All preferences aside, this is a wonderful album to curl up with late at night with a glass of wine.

Posted by Anonymous, on 2003-05-14