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Sing Ye Heavens - Hymns for All Time

Sing Ye Heavens - Hymns for All Time Tracks
1. Hymns From The Psalms: O God, Our Help In Ages Past
2. Hymns From The Psalms: The King Of Love My Shepherd Is
3. Hymns From The Psalms: A Mighty Fortress Is Our God
4. Invocations: Veni, Creator Spiritus
5. Invocations: Lo! He Comes With Clouds Descending
6. Invocations: Love Divine, All Loves Excelling
7. The Eucharist: Pange Lingua
8. The Eucharist: Let All Mortal Flesh Keep Silence
9. Passiontide And Easter: Vexilla Regis
10. Passiontide And Easter: Drop, Drop Slow Tears
11. Passiontide And Easter: When I Survey The Wondrous Cross
12. Passiontide And Easter: Christ The Lord Is Risen Today
13. Folk Hymns: Be Thou My Vision
14. Folk Hymns: All Things Bright And Beautiful
15. Folk Hymns: Morning Has Broken
16. Folk Hymns: Amazing Grace
17. Folk Hymns: We Plough The Fields, And Scatter
18. Evening Hymns: Glory To Thee, My God, This Night
19. Evening Hymns: The Day Thou Gavest, Lord Is Ended
20. Thanksgiving And Dedication: Eternal God
21. Thanksgiving And Dedication: Christ Is Made The Sure Foundation
 - Sing Ye Heavens - Hymns for All Time
Sing Ye Heavens - Hymns for All Time Review
It's good to have the clean-vowelled, fresh-voiced Cambridge Singers back in action with composer John Rutter, who demonstrates once again his considerable talents as a choral director. Here, he also had his work cut out arranging 15 of the tracks (and composing one other). Divided up into various categories, such as "the Eucharist" and "folk hymns," this album will delight the confirmed hymn enthusiast, provided that he or she doesn't insist on the pure, as-written product. Rutter's reworkings range from the bold and brassy (occasionally deliciously over the top--what would Martin Luther have thought of the naughtiness in "A mighty fortress is our God"?) to those of harp-accompanied simplicity, not least in the charming lines of "Be thou my vision." Several tasteful descants are models of their kind. There are some surprises at which to chuckle. For example, not the expected brass and organ job on "We plough the fields and scatter," but a dainty, tripping harp accompaniment to the familiar melody, such as Haydn might have wedded to a Scottish folksong. Occasional numbers might be too saccharine for some tastes, but there are cunningly placed samples of Gregorian chant, Tallis, and Gibbons to provide contrast and cleanse the palate. --Andrew Green


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