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Bright Eyes

Digital Ash in a Digital Urn

Digital Ash in a Digital Urn Tracks
1. Time Code
2. Gold Mine Gutted
3. Arc Of Time (Time Code)
4. Down In A Rabbit Hole - (with Nick Zinner)
5. Take It Easy (Love Nothing)
6. Hit The Switch
7. I Believe In Symmetry - (with Nick Zinner)
8. Devil In The Details - (with Nick Zinner)
9. Ship In A Bottle
10. Light Pollution
11. Theme From Pinata
12. Easy/Lucky/Free - (with Nick Zinner)
Bright Eyes - Digital Ash in a Digital Urn
Digital Ash in a Digital Urn Review
Having established himself as a folk singer-songwriter of considerable weight with 2002's--take a deep breath--Lifted, or the Story is in the Soil, Keep Your Ear to the Ground, Conor Oberst takes the opportunity to experiment here. Released simultaneously with the more conventional follow-up disc, I'm Wide Awake, It's Morning, Digital Ash in a Digital Urn sees the Omaha-based leader of Bright Eyes teaming up with a diverse set of musicians that includes Yeah Yeah Yeahs guitarist Nick Zinner for a collection of songs that aim to recreate the alien landscapes of Radiohead but more often come off sounding like midperiod Depeche Mode. --Aidin Vaziri
Digital Ash in a Digital Urn Review
Bright Eyes' Conor Oberst continues to earn his reputation as our most respected young troubadour with almost frightening ease. He's been recording since the age of 13, and for the past few years he's been tagged "rock's boy genius" by the music press. Now, with the release of these two albums, we have unequivocal proof that the 24 eyar-old Oberst belongs amid our lineage of great American songwriters. These albums are a soundly articulated slice of modern life rolled into two very different records, both bursting with all of the heartfelt poetry for which Bright Eyes' records have earned their acclaim.Of course, the rough edges haven't gone away - the palpitation of a splintering note, the crack of a voice as it overextends, the clumsy thump of a misplaced thumb. It's all still there. But there's a glorious new level of depth and a maturation of texture, writing and delivery.


Users's Reviews
Feel free to add your comments about Digital Ash in a Digital Urn
Ambitious...
3
This album has great lyrics, and some great moments in it, but overall, what I noticed the most about it other than the obvious deviation from the normal instrumentation, was that the songwriting was essentially the same as always. This would be all well and good if the songs were just...better. I was a huge fan of I'm Wide Awake, It's Morning, but this album just wasn't up to par. The first and last tracks on the album are very good, however, but the stuff in between just didn't do it for me for the most part.
Posted by Anonymous, on 2006-01-05
A brilliant, unique portrayal of Oberst's deepest, darkest subjects.
5
This album in it's spectacular glory is by far the greatest Bright Eyes record i have ever heard. I can see why, for some people, this record may come across as abnormal and not meeting the par of his older work or even the acclaimed oposite, "I'm Wide Awake, It's Morning" Which was released at the same time. But I would beg people to give it some time and actualy listen to it before closing your mind to this clearly beutiful, expirimental record. It is truly best described as a seemingly endless, heavenly, beutiful marathon of electronic-emo bliss. These songs are crafted and structured so timingly and creative, and the melodies never touched or thought of by anyone before. Connor's witty, deep and slighty depressing lyrics meld togather perfectly with the brilliantly produced, processed sound that makes up the record. I wish more people shared the same opinion as me, but i can only state what i think and nothing else. I ask you to look at these songs artisticly and creativly because they are indeed genious. My favorate track would have to be "Hit The Switch" because the song craft and lyrics are beutiful and heartfelt. He really makes you feel his pain as he expresses his anxiety riddled expiriences and drinking problems all set to a killer wave of powerful drums, electric pianos, creative bass riffs and ever changing perfectly flawed guitar. Other outstanding songs on this record are "Ship in a Bottle" and "Devil in the Details". Both containing the witty brilliant lyrics we expect from this amazing songwriter. So, in the end, i advise people who cant stand the extra noise such as static, "beeps" and old keyboard synth sounds to listen to the true beuty behind this record and feel his beutiful natural pain he put into this amazingly splended masterpiece. Great job Conner. It deserves more than 5 stars.
Posted by Anonymous, on 2005-12-27
Digital Schmigital
2
This collection has the taint of the throwaway about it...it's clear these songs weren't labored over to the exent those on "Wide Awake" were - there is not the same level of craft here, which the elaborate arrangements and synth treatments are not quite up to the job of hiding....skip this and go straight to "Wide Awake"...
Posted by Anonymous, on 2005-12-22